SASHAY, SWAY AND SWING TO THE SOUNDS OF IRENE AND HER LATIN JAZZ BAND A SONG OF YOU BY IRENE AND HER LATIN JAZZ BAND Start with Southern California’s sun-drenched climate, pervasive Latino culture and active music scene; add several rhythmic South American musicians; and overlay with a smooth-and-silky lead singer. Now you have Irene and Her Latin Jazz Band. The group seems like they have fun creating fresh and personal Latin jazz arrangements of all types of songs (Latin standards, Great American Songbook classics, modern pop tunes, and their own original compositions). Irene in a Los Angeles native (so of course she was influenced by the pervasive Latin culture found there), but she jumped into Latin music in a big way when she hooked up with a bunch of Brazilian-born-and-trained-there musicians who had transplanted to Southern-Cal. On the first album it was acoustic guitarist and Marco Tulio and percussionist Cristano Novelli that brought the most South American influences. They are back on A Song of You, this second recording, but they are joined predominantly by a new pianist, Rique Pantoja, who is a big deal in Brazil, one of the new breed from there making international waves by having played with Chet Baker, Milton Nascimento, Steps Ahead, Ricardo Silveira, Carlos Santana, Ernie Watts, Ricky Martin, Gilberto Gil, Luis Conte, Lee Ritenour and Kirk Whalum. Wow! Those are some credits for a Brazilian guy. Because this is not salsa, the music is not hot, fiery and sexy-passionate. Instead this is jazz by way of Rio rhythms, so the music is more like cool-jazz or smooth-jazz with a gentle Latin beat. Irene and the band select an interesting mix of tunes and bring their own smooth Latin persona to each one making for a unified sound and a cohesive listening experience. The music is available from that great on-line indie store cdbaby.com or the ubiquitous iTunes. SASHAY, SWAY AND SWING TO THE SOUNDS OF IRENE AND HER LATIN JAZZ BAND A SONG OF YOU BY IRENE AND HER LATIN JAZZ BAND Start with Southern California’s sun-drenched climate, pervasive Latino culture and active music scene; add several rhythmic South American musicians; and overlay with a smooth-and-silky lead singer. Now you have Irene and Her Latin Jazz Band. The group seems like they have fun creating fresh and personal Latin jazz arrangements of all types of songs (Latin standards, Great American Songbook classics, modern pop tunes, and their own original compositions). Irene in a Los Angeles native (so of course she was influenced by the pervasive Latin culture found there), but she jumped into Latin music in a big way when she hooked up with a bunch of Brazilian-born-and-trained-there musicians who had transplanted to Southern-Cal. On the first album it was acoustic guitarist and Marco Tulio and percussionist Cristano Novelli that brought the most South American influences. They are back on A Song of You, this second recording, but they are joined predominantly by a new pianist, Rique Pantoja, who is a big deal in Brazil, one of the new breed from there making international waves by having played with Chet Baker, Milton Nascimento, Steps Ahead, Ricardo Silveira, Carlos Santana, Ernie Watts, Ricky Martin, Gilberto Gil, Luis Conte, Lee Ritenour and Kirk Whalum. Wow! Those are some credits for a Brazilian guy. Because this is not salsa, the music is not hot, fiery and sexy-passionate. Instead this is jazz by way of Rio rhythms, so the music is more like cool-jazz or smooth-jazz with a gentle Latin beat. Irene and the band select an interesting mix of tunes and bring their own smooth Latin persona to each one making for a unified sound and a cohesive listening experience. The music is available from that great on-line indie store cdbaby.com or the ubiquitous iTunes.

2009-07-03T17:54:57Z

1085

775

2009-07-03T17:54:57Z

729

BRIAN KELLY Contemporary instrumental pianist Brian Kelly is known for penning strong melodies, and he credits that talent to his diverse musical background of singing in musical theatre productions, serving as a modern dance accompanist, majoring in jazz studies and music composition in college, and exploring sounds through improvising beginning at a very early age. Kelly's commitment to crafting melodies was heralded upon the release of his debut album, Pools of Light, which spent two months at #1 on the international modern instrumental NAR radio chart. Now his second CD, Afterplay, showcases 11 new original tunes, also with exemplary melodic content, but featuring a more full-bodied ensemble sound. Brian Kelly's music can be purchased at his website (briankelly.com), at major online music retailers such as cdbaby.com or amazon.com, and at numerous digital download locations including itunes.com and rhapsody.com. While Kelly's first love is composing, the media also has complimented him on his piano performance and richly-textured arrangements that combine sampled acoustic sounds alongside performances by special guests. On Afterplay there are seven musicians joining Kelly and adding occasional sax, flute, trumpet, trombone, acoustic guitar, drums and percussion. According to Kelly, "The new album is brighter, more energetic and vibrant. I'm giving fuller expression to the jazz elements present on my first album, while still offering space for beauty and quiet eloquence. I'm joined by some fantastic musicians, who really bring the music alive. There is a wider array of instruments and the music is more ensemble-oriented. Yet, piano and melody are still at the heart of the music." On Afterplay, Kelly plays piano, keyboards, percussion and pennywhistle. He is joined by saxophonist Eric Crystal (Boz Scaggs, Omar Sosa), drummer David Rokeach (Aretha Franklin, Ray Charles), trumpet player and trombonist Ross Wilson (Tito Puente, Sammy Hagar), flutist Viviana Guzman (soloist with numerous orchestras in the U.S. and abroad), flutist Carol Alban (principal flutist with the Bay Area Chamber Symphony), percussion Tim Bolling (Ancient Future, Kanye West), and guitarist James Robinson (winner of San Francisco radio station KKSF's prestigious Bay Area Artist Contest). Brian spent his teenage years not only studying music, but as a stage actor and singer. He earned a Bachelor's Degree in Music Composition, studied with mainstream jazz pianists such as Art Lande and Andy LaVerne, took classes taught by the group Oregon, and learned valuable lessons from watching theater and film composer Michael Silversher (Disney) at work. Kelly has performed numerous concerts throughout the San Francisco Bay Area. He is the winner of the "Keyboard Magazine Soundpage Award" for an original composition. Kelly is known for composing and arranging varied styles that include rollicking jazz one moment and soft-but-uplifting contemporary instrumental reflections the next, with hints of pop sensibilities, world-fusion rhythm patterns and neo-classical structures subtly mixed in. "I don't mind being a bit eclectic," states Kelly. "Art is a language of contrasts, and as a musical artist I want to paint with a full spectrum of emotional color - joy, playfullness, tenderness, longing..." On the Afterplay CD, there are plenty of fast-paced jazzy numbers - "River Rush" ("captures the sparkling momentum of a river flowing over rocks"), "Smiling South" (the percussive piano style is echoed by the percussion sounds from Africa and South America), and the funky "Flavor Seven" ("playful, with a strong groove and a touch of mystery"). But demonstrating his diversity, Kelly includes several quieter, gentler tunes - the uplifting momentum of "Snowflakes Rising," the flowing spirituality of "Heaven on Earth" and the galactic exploration of "Reach For the Stars." In between he also includes world music elements on tracks such as "Celtic Fire." Other highlights include the memorable melody lines found on "Afterplay" (piano-sax interplay), "New Vision" (featuring flute) and "Sunchaser" (with acoustic guitar). "My approach with the new album was to bring the production and musicianship to a higher level of excellence by working with world-class musicians and engineers, and to compose music that would be exciting and fun to play 'live.' I allowed space in the compositions for the musicians to improvise. It's a thrill to hear the magic they added to the music! The end result, I hope, is music that is memorable, moving and unfolds as if it were 'meant to be'." Brian Stephen Kelly was born in New York City and grew up in Palo Alto, California. He heard music from a young age since his mother played classical piano at home and violin for a community opera company. Brian began taking piano lessons at age eight, but from the beginning was most interested in creating his own music. While very young he listened intensely to both Beethoven's Piano Sonatas and The Beatles' Abbey Road. Brian started his stage career as an actor with the Palo Alto Children's Theatre. He went on to appear in stage productions at TheatreWorks, a renowned Bay Area theatre company. During his stage career, he starred in "Ali Baba," "Our Town" and "A Midsummer Night's Dream" among others. Kelly also has been the piano accompanist for many dance classes "which challenged me to discover ways to create curves, arcs and circles with music and to develop a fluid playing style that could mirror the dancers' movements. Now when I create music I think spatially and envision music as movement," he explains. "So much of what I learned from stage productions I now apply to my music," Kelly says. "I studied all the elements that go into the productions - acting, directing, stage design, lighting, costumes and, of course, the music. As producer, composer and arranger, I'm creating a similarly multi-dimensional collaborative work: telling a story, building dramatic tension with harmony and counterpoint, treating each instrument as an individual character, and 'setting the stage' by attending to all of the details of the musical arrangement." In school Brian took guitar and drum lessons, played percussion in the school orchestra, and sang madrigals in an a cappella group. He also began listening to the progressive rock of Yes, Genesis and Emerson Lake & Palmer. At age 18, Kelly began piano lessons studying both classical and jazz including music theory, harmony and jazz arranging. He became interested in jazz-fusion acts such as Chick Corea's band Return to Forever, and The Mahavishnu Orchestra. Kelly went on to graduate from Hampshire College in Amherst, Massachusetts, where he delved deeply into compositional and jazz studies. Kelly spent a summer in Boulder, Colorado, at the Naropa Institute where he studied jazz piano and took general courses about contemporary instrumental music taught by Oregon's Ralph Towner and Paul McCandless. After college Kelly began listening to the smooth jazz of The Yellowjackets, Bob James, David Benoit, Joe Sample, and Pat Metheny, along with the new age stylings of Secret Garden and Suzanne Ciani, as well as acts that defied easy categorization such as Michael Hedges and Keiko Matsui. When Kelly released his first album, Pools of Light, not only did it go to the top of the airplay charts, it was named one of the best albums of the year (Top 10) by a leading piano-oriented webzine (now known as MainlyPiano.com). In addition, Brian was one of the small handful of nominees for the New Age Reporter Lifestyle Music Artist of the Year award. "With my music, I hope to achieve a balance between inspiration and craft; between composing and improvising," explains Kelly. "A solid composition gives you both the structure for the piece and the melody line, but improvisation can create excitement and take the tune to a new realm." BRIAN KELLY Contemporary instrumental pianist Brian Kelly is known for penning strong melodies, and he credits that talent to his diverse musical background of singing in musical theatre productions, serving as a modern dance accompanist, majoring in jazz studies and music composition in college, and exploring sounds through improvising beginning at a very early age. Kelly’s commitment to crafting melodies was heralded upon the release of his debut album, Pools of Light, which spent two months at #1 on the international modern instrumental NAR radio chart. Now his second CD, Afterplay, showcases 11 new original tunes, also with exemplary melodic content, but featuring a more full-bodied ensemble sound. Brian Kelly’s music can be purchased at his website (briankelly.com), at major online music retailers such as cdbaby.com or amazon.com, and at numerous digital download locations including itunes.com and rhapsody.com. While Kelly’s first love is composing, the media also has complimented him on his piano performance and richly-textured arrangements that combine sampled acoustic sounds alongside performances by special guests. On Afterplay there are seven musicians joining Kelly and adding occasional sax, flute, trumpet, trombone, acoustic guitar, drums and percussion. According to Kelly, “The new album is brighter, more energetic and vibrant. I’m giving fuller expression to the jazz elements present on my first album, while still offering space for beauty and quiet eloquence. I’m joined by some fantastic musicians, who really bring the music alive. There is a wider array of instruments and the music is more ensemble-oriented. Yet, piano and melody are still at the heart of the music.” On Afterplay, Kelly plays piano, keyboards, percussion and pennywhistle. He is joined by saxophonist Eric Crystal (Boz Scaggs, Omar Sosa), drummer David Rokeach (Aretha Franklin, Ray Charles), trumpet player and trombonist Ross Wilson (Tito Puente, Sammy Hagar), flutist Viviana Guzman (soloist with numerous orchestras in the U.S. and abroad), flutist Carol Alban (principal flutist with the Bay Area Chamber Symphony), percussion Tim Bolling (Ancient Future, Kanye West), and guitarist James Robinson (winner of San Francisco radio station KKSF’s prestigious Bay Area Artist Contest). Brian spent his teenage years not only studying music, but as a stage actor and singer. He earned a Bachelor’s Degree in Music Composition, studied with mainstream jazz pianists such as Art Lande and Andy LaVerne, took classes taught by the group Oregon, and learned valuable lessons from watching theater and film composer Michael Silversher (Disney) at work. Kelly has performed numerous concerts throughout the San Francisco Bay Area. He is the winner of the “Keyboard Magazine Soundpage Award” for an original composition. Kelly is known for composing and arranging varied styles that include rollicking jazz one moment and soft-but-uplifting contemporary instrumental reflections the next, with hints of pop sensibilities, world-fusion rhythm patterns and neo-classical structures subtly mixed in. “I don’t mind being a bit eclectic,” states Kelly. “Art is a language of contrasts, and as a musical artist I want to paint with a full spectrum of emotional color – joy, playfullness, tenderness, longing…” On the Afterplay CD, there are plenty of fast-paced jazzy numbers – “River Rush” (“captures the sparkling momentum of a river flowing over rocks”), “Smiling South” (the percussive piano style is echoed by the percussion sounds from Africa and South America), and the funky “Flavor Seven” (“playful, with a strong groove and a touch of mystery”). But demonstrating his diversity, Kelly includes several quieter, gentler tunes – the uplifting momentum of “Snowflakes Rising,” the flowing spirituality of “Heaven on Earth” and the galactic exploration of “Reach For the Stars.” In between he also includes world music elements on tracks such as “Celtic Fire.” Other highlights include the memorable melody lines found on “Afterplay” (piano-sax interplay), “New Vision” (featuring flute) and “Sunchaser” (with acoustic guitar). “My approach with the new album was to bring the production and musicianship to a higher level of excellence by working with world-class musicians and engineers, and to compose music that would be exciting and fun to play ‘live.’ I allowed space in the compositions for the musicians to improvise. It’s a thrill to hear the magic they added to the music! The end result, I hope, is music that is memorable, moving and unfolds as if it were ‘meant to be’.” Brian Stephen Kelly was born in New York City and grew up in Palo Alto, California. He heard music from a young age since his mother played classical piano at home and violin for a community opera company. Brian began taking piano lessons at age eight, but from the beginning was most interested in creating his own music. While very young he listened intensely to both Beethoven’s Piano Sonatas and The Beatles’ Abbey Road. Brian started his stage career as an actor with the Palo Alto Children’s Theatre. He went on to appear in stage productions at TheatreWorks, a renowned Bay Area theatre company. During his stage career, he starred in “Ali Baba,” “Our Town” and “A Midsummer Night’s Dream” among others. Kelly also has been the piano accompanist for many dance classes “which challenged me to discover ways to create curves, arcs and circles with music and to develop a fluid playing style that could mirror the dancers’ movements. Now when I create music I think spatially and envision music as movement,” he explains. “So much of what I learned from stage productions I now apply to my music,” Kelly says. “I studied all the elements that go into the productions – acting, directing, stage design, lighting, costumes and, of course, the music. As producer, composer and arranger, I’m creating a similarly multi-dimensional collaborative work: telling a story, building dramatic tension with harmony and counterpoint, treating each instrument as an individual character, and ‘setting the stage’ by attending to all of the details of the musical arrangement.” In school Brian took guitar and drum lessons, played percussion in the school orchestra, and sang madrigals in an a cappella group. He also began listening to the progressive rock of Yes, Genesis and Emerson Lake & Palmer. At age 18, Kelly began piano lessons studying both classical and jazz including music theory, harmony and jazz arranging. He became interested in jazz-fusion acts such as Chick Corea’s band Return to Forever, and The Mahavishnu Orchestra. Kelly went on to graduate from Hampshire College in Amherst, Massachusetts, where he delved deeply into compositional and jazz studies. Kelly spent a summer in Boulder, Colorado, at the Naropa Institute where he studied jazz piano and took general courses about contemporary instrumental music taught by Oregon’s Ralph Towner and Paul McCandless. After college Kelly began listening to the smooth jazz of The Yellowjackets, Bob James, David Benoit, Joe Sample, and Pat Metheny, along with the new age stylings of Secret Garden and Suzanne Ciani, as well as acts that defied easy categorization such as Michael Hedges and Keiko Matsui. When Kelly released his first album, Pools of Light, not only did it go to the top of the airplay charts, it was named one of the best albums of the year (Top 10) by a leading piano-oriented webzine (now known as MainlyPiano.com). In addition, Brian was one of the small handful of nominees for the New Age Reporter Lifestyle Music Artist of the Year award. “With my music, I hope to achieve a balance between inspiration and craft; between composing and improvising,” explains Kelly. “A solid composition gives you both the structure for the piece and the melody line, but improvisation can create excitement and take the tune to a new realm.”

2008-12-19T19:17:03Z

663

457

2008-12-19T19:17:04Z

729

BRIAN KELLY Smooth jazz pianist Brian Kelly is known for penning strong melodies, and he credits that talent to his diverse musical background of singing in musical theatre productions, serving as a modern dance accompanist, majoring in jazz studies and music composition in college, and exploring sounds through improvising beginning at a very early age. Kelly’s commitment to crafting melodies was heralded upon the release of his debut album, Pools of Light, which spent two months at #1 on the international modern instrumental NAR radio chart. Now his second CD, Afterplay, showcases 11 new original tunes, also with exemplary melodic content, but featuring more full-bodied ensemble arrangements and more of a smooth jazz sound. Brian Kelly’s music can be purchased at his website (briankelly.com), at major online music retailers such as cdbaby.com or amazon.com, and at numerous digital download locations including itunes.com and rhapsody.com. Brian spent his teenage years not only studying music, but as a stage actor and singer. He earned a Bachelor’s Degree in Music Composition, studied with mainstream jazz pianists such as Art Lande and Andy LaVerne, took classes taught by the group Oregon, and learned valuable lessons from watching theater and film composer Michael Silversher (Disney) at work. Kelly has performed numerous concerts throughout the San Francisco Bay Area. He is the winner of the “Keyboard Magazine Soundpage Award” for an original composition. While Kelly’s first love is composing, the media also has complimented him on his piano performance and richly-textured arrangements that combine sampled acoustic sounds alongside performances by special guests. On Afterplay there are seven musicians joining Kelly and adding occasional sax, flute, trumpet, trombone, acoustic guitar, drums and percussion. According to Kelly, “The new album is brighter, more energetic and vibrant. I’m giving fuller expression to the jazz elements present on my first album, while still offering space for beauty and quiet eloquence. I’m joined by some fantastic musicians, who really bring the music alive. There is a wider array of instruments and the music is more ensemble-oriented. Yet, piano and melody are still at the heart of the music.” On Afterplay, Kelly plays piano, keyboards, percussion and pennywhistle. He is joined by saxophonist Eric Crystal (Boz Scaggs, Omar Sosa), drummer David Rokeach (Aretha Franklin, Ray Charles), trumpet player and trombonist Ross Wilson (Tito Puente, Sammy Hagar), flutist Viviana Guzman (soloist with numerous orchestras in the U.S. and abroad), flutist Carol Alban (principal flutist with the Bay Area Chamber Symphony), percussion Tim Bolling (Ancient Future, Kanye West), and guitarist James Robinson (winner of San Francisco radio station KKSF’s prestigious Bay Area Artist Contest). Kelly is known for composing and arranging varied styles that include rollicking jazz one moment and soft-but-uplifting contemporary instrumental reflections the next, with hints of pop sensibilities, world-fusion rhythm patterns and neo-classical structures subtly mixed in. “I don’t mind being a bit eclectic,” states Kelly. “Art is a language of contrasts, and as a musical artist I want to paint with a full spectrum of emotional color – joy, playfullness, tenderness, longing...” On the Afterplay CD, there are plenty of fast-paced jazzy numbers – “River Rush” (“captures the sparkling momentum of a river flowing over rocks”), “Smiling South” (the percussive piano style is echoed by the percussion sounds from Africa and South America), and the funky “Flavor Seven” (“playful, with a strong groove and a touch of mystery”). But demonstrating his diversity, Kelly includes several quieter, gentler tunes – the uplifting momentum of “Snowflakes Rising,” the flowing spirituality of “Heaven on Earth” and the galactic exploration of “Reach For the Stars.” In between he also includes world music elements on tracks such as “Celtic Fire.” Other highlights include the memorable melody lines found on “Afterplay” (piano-sax interplay), “New Vision” (featuring flute) and “Sunchaser” (with acoustic guitar). “My approach with the new album was to bring the production and musicianship to a higher level of excellence by working with world-class musicians and engineers, and to compose music that would be exciting and fun to play ‘live.’ I allowed space in the compositions for the musicians to improvise. It’s a thrill to hear the magic they added to the music! The end result, I hope, is music that is memorable, moving and unfolds as if it were ‘meant to be’.” Brian Stephen Kelly was born in New York City and grew up in Palo Alto, California. He heard music from a young age since his mother played classical piano at home and violin for a community opera company. Brian began taking piano lessons at age eight, but from the beginning was most interested in creating his own music. While very young he listened intensely to both Beethoven’s Piano Sonatas and The Beatles’ Abbey Road. Brian started his stage career as an actor with the Palo Alto Children’s Theatre. He went on to appear in stage productions at TheatreWorks, a renowned Bay Area theatre company. During his stage career, he starred in “Ali Baba,” “Our Town” and “A Midsummer Night’s Dream” among others. Kelly also has been the piano accompanist for many dance classes “which challenged me to discover ways to create curves, arcs and circles with music and to develop a fluid playing style that could mirror the dancers’ movements. Now when I create music I think spatially and envision music as movement,” he explains. “So much of what I learned from stage productions I now apply to my music,” Kelly says. “I studied all the elements that go into the productions – acting, directing, stage design, lighting, costumes and, of course, the music. As producer, composer and arranger, I’m creating a similarly multi-dimensional collaborative work: telling a story, building dramatic tension with harmony and counterpoint, treating each instrument as an individual character, and ‘setting the stage’ by attending to all of the details of the musical arrangement.” In school Brian took guitar and drum lessons, played percussion in the school orchestra, and sang madrigals in an a cappella group. He also began listening to the progressive rock of Yes, Genesis and Emerson Lake & Palmer. At age 18, Kelly began piano lessons studying both classical and jazz including music theory, harmony and jazz arranging. He became interested in jazz-fusion acts such as Chick Corea’s band Return to Forever, and The Mahavishnu Orchestra. Kelly went on to graduate from Hampshire College in Amherst, Massachusetts, where he delved deeply into compositional and jazz studies. Kelly spent a summer in Boulder, Colorado, at the Naropa Institute where he studied jazz piano and took general courses about contemporary instrumental music taught by Oregon’s Ralph Towner and Paul McCandless. After college Kelly began listening to the smooth jazz of The Yellowjackets, Bob James, David Benoit, Joe Sample, and Pat Metheny, along with the new age stylings of Secret Garden and Suzanne Ciani, as well as acts that defied easy categorization such as Michael Hedges and Keiko Matsui. When Kelly released his first album, Pools of Light, not only did it go to the top of the airplay charts, it was named one of the best albums of the year (Top 10) by a leading piano-oriented webzine (now known as MainlyPiano.com). In addition, Brian was one of the small handful of nominees for the New Age Reporter Lifestyle Music Artist of the Year award. “With my music, I hope to achieve a balance between inspiration and craft; between composing and improvising,” explains Kelly. “A solid composition gives you both the structure for the piece and the melody line, but improvisation can create excitement and take the tune to a new realm.” BRIAN KELLY Smooth jazz pianist Brian Kelly is known for penning strong melodies, and he credits that talent to his diverse musical background of singing in musical theatre productions, serving as a modern dance accompanist, majoring in jazz studies and music composition in college, and exploring sounds through improvising beginning at a very early age. Kelly’s commitment to crafting melodies was heralded upon the release of his debut album, Pools of Light, which spent two months at #1 on the international modern instrumental NAR radio chart. Now his second CD, Afterplay, showcases 11 new original tunes, also with exemplary melodic content, but featuring more full-bodied ensemble arrangements and more of a smooth jazz sound. Brian Kelly’s music can be purchased at his website (briankelly.com), at major online music retailers such as cdbaby.com or amazon.com, and at numerous digital download locations including itunes.com and rhapsody.com. Brian spent his teenage years not only studying music, but as a stage actor and singer. He earned a Bachelor’s Degree in Music Composition, studied with mainstream jazz pianists such as Art Lande and Andy LaVerne, took classes taught by the group Oregon, and learned valuable lessons from watching theater and film composer Michael Silversher (Disney) at work. Kelly has performed numerous concerts throughout the San Francisco Bay Area. He is the winner of the “Keyboard Magazine Soundpage Award” for an original composition. While Kelly’s first love is composing, the media also has complimented him on his piano performance and richly-textured arrangements that combine sampled acoustic sounds alongside performances by special guests. On Afterplay there are seven musicians joining Kelly and adding occasional sax, flute, trumpet, trombone, acoustic guitar, drums and percussion. According to Kelly, “The new album is brighter, more energetic and vibrant. I’m giving fuller expression to the jazz elements present on my first album, while still offering space for beauty and quiet eloquence. I’m joined by some fantastic musicians, who really bring the music alive. There is a wider array of instruments and the music is more ensemble-oriented. Yet, piano and melody are still at the heart of the music.” On Afterplay, Kelly plays piano, keyboards, percussion and pennywhistle. He is joined by saxophonist Eric Crystal (Boz Scaggs, Omar Sosa), drummer David Rokeach (Aretha Franklin, Ray Charles), trumpet player and trombonist Ross Wilson (Tito Puente, Sammy Hagar), flutist Viviana Guzman (soloist with numerous orchestras in the U.S. and abroad), flutist Carol Alban (principal flutist with the Bay Area Chamber Symphony), percussion Tim Bolling (Ancient Future, Kanye West), and guitarist James Robinson (winner of San Francisco radio station KKSF’s prestigious Bay Area Artist Contest). Kelly is known for composing and arranging varied styles that include rollicking jazz one moment and soft-but-uplifting contemporary instrumental reflections the next, with hints of pop sensibilities, world-fusion rhythm patterns and neo-classical structures subtly mixed in. “I don’t mind being a bit eclectic,” states Kelly. “Art is a language of contrasts, and as a musical artist I want to paint with a full spectrum of emotional color – joy, playfullness, tenderness, longing…” On the Afterplay CD, there are plenty of fast-paced jazzy numbers – “River Rush” (“captures the sparkling momentum of a river flowing over rocks”), “Smiling South” (the percussive piano style is echoed by the percussion sounds from Africa and South America), and the funky “Flavor Seven” (“playful, with a strong groove and a touch of mystery”). But demonstrating his diversity, Kelly includes several quieter, gentler tunes – the uplifting momentum of “Snowflakes Rising,” the flowing spirituality of “Heaven on Earth” and the galactic exploration of “Reach For the Stars.” In between he also includes world music elements on tracks such as “Celtic Fire.” Other highlights include the memorable melody lines found on “Afterplay” (piano-sax interplay), “New Vision” (featuring flute) and “Sunchaser” (with acoustic guitar). “My approach with the new album was to bring the production and musicianship to a higher level of excellence by working with world-class musicians and engineers, and to compose music that would be exciting and fun to play ‘live.’ I allowed space in the compositions for the musicians to improvise. It’s a thrill to hear the magic they added to the music! The end result, I hope, is music that is memorable, moving and unfolds as if it were ‘meant to be’.” Brian Stephen Kelly was born in New York City and grew up in Palo Alto, California. He heard music from a young age since his mother played classical piano at home and violin for a community opera company. Brian began taking piano lessons at age eight, but from the beginning was most interested in creating his own music. While very young he listened intensely to both Beethoven’s Piano Sonatas and The Beatles’ Abbey Road. Brian started his stage career as an actor with the Palo Alto Children’s Theatre. He went on to appear in stage productions at TheatreWorks, a renowned Bay Area theatre company. During his stage career, he starred in “Ali Baba,” “Our Town” and “A Midsummer Night’s Dream” among others. Kelly also has been the piano accompanist for many dance classes “which challenged me to discover ways to create curves, arcs and circles with music and to develop a fluid playing style that could mirror the dancers’ movements. Now when I create music I think spatially and envision music as movement,” he explains. “So much of what I learned from stage productions I now apply to my music,” Kelly says. “I studied all the elements that go into the productions – acting, directing, stage design, lighting, costumes and, of course, the music. As producer, composer and arranger, I’m creating a similarly multi-dimensional collaborative work: telling a story, building dramatic tension with harmony and counterpoint, treating each instrument as an individual character, and ‘setting the stage’ by attending to all of the details of the musical arrangement.” In school Brian took guitar and drum lessons, played percussion in the school orchestra, and sang madrigals in an a cappella group. He also began listening to the progressive rock of Yes, Genesis and Emerson Lake & Palmer. At age 18, Kelly began piano lessons studying both classical and jazz including music theory, harmony and jazz arranging. He became interested in jazz-fusion acts such as Chick Corea’s band Return to Forever, and The Mahavishnu Orchestra. Kelly went on to graduate from Hampshire College in Amherst, Massachusetts, where he delved deeply into compositional and jazz studies. Kelly spent a summer in Boulder, Colorado, at the Naropa Institute where he studied jazz piano and took general courses about contemporary instrumental music taught by Oregon’s Ralph Towner and Paul McCandless. After college Kelly began listening to the smooth jazz of The Yellowjackets, Bob James, David Benoit, Joe Sample, and Pat Metheny, along with the new age stylings of Secret Garden and Suzanne Ciani, as well as acts that defied easy categorization such as Michael Hedges and Keiko Matsui. When Kelly released his first album, Pools of Light, not only did it go to the top of the airplay charts, it was named one of the best albums of the year (Top 10) by a leading piano-oriented webzine (now known as MainlyPiano.com). In addition, Brian was one of the small handful of nominees for the New Age Reporter Lifestyle Music Artist of the Year award. “With my music, I hope to achieve a balance between inspiration and craft; between composing and improvising,” explains Kelly. “A solid composition gives you both the structure for the piece and the melody line, but improvisation can create excitement and take the tune to a new realm.”

2008-11-12T22:59:59Z

612

421

2008-11-12T22:59:59Z

729

JAMIE CRAIG THE LOST DREAM Feel the fusion! Jazz-rock is alive and well, as you will discover if you take a listen to the Jamie Craig album THE LOST DREAM. Jazz-rock was an art-form that many people thought was lost by the time the Eighties ended, but like so many types of art, it is raising its head again in the Two-thousands. Why? Because listeners just plain like it! According to Jamie Craig: “I wanted to make an instrumental CD for anyone who grew up on rock music and still enjoys a solid bass-line and a full drum-kit. I was always impressed by jazz acts with a beat such as Jean-Luc Ponty, Miles Davis in the BITCHES BREW era, Stanley Clarke and John Scofield.” Craig is a former bassist who now mostly plays keyboards and created all these sounds on synthesizers (although you will swear the bass and drums are the real instruments). This sort of reminds me of a cross between Herbie Hancock and The Headhunters in the Seventies and classic Emerson, Lake & Palmer (without any singing). This CD has half its notes in the retro camp and the other half on the cutting edge of modern instrumental music. JAMIE CRAIG THE LOST DREAM Feel the fusion! Jazz-rock is alive and well, as you will discover if you take a listen to the Jamie Craig album THE LOST DREAM. Jazz-rock was an art-form that many people thought was lost by the time the Eighties ended, but like so many types of art, it is raising its head again in the Two-thousands. Why? Because listeners just plain like it! According to Jamie Craig: “I wanted to make an instrumental CD for anyone who grew up on rock music and still enjoys a solid bass-line and a full drum-kit. I was always impressed by jazz acts with a beat such as Jean-Luc Ponty, Miles Davis in the BITCHES BREW era, Stanley Clarke and John Scofield.” Craig is a former bassist who now mostly plays keyboards and created all these sounds on synthesizers (although you will swear the bass and drums are the real instruments). This sort of reminds me of a cross between Herbie Hancock and The Headhunters in the Seventies and classic Emerson, Lake & Palmer (without any singing). This CD has half its notes in the retro camp and the other half on the cutting edge of modern instrumental music.

2008-05-09T23:08:54Z

307

191

2008-05-09T23:08:54Z

729